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But Mona in such a case as this prefers being "taken in" (though she may object to the phrase), and in process of time grows positively fond of Lady Rodney.,

"Well, really, do you know, I think she did!" says Mona, so demurely that they all smile again.,

At first the light of the lamp—so unlike the pale transparent purity of the moonbeams—puzzles her sight; she advances a few steps unconsciously, treading lightly, as she has done all along, lest she shall wake some member of the household, and then, passing her hand over her eyes, looks leisurely up. The fire is nearly out. She turns her head to the right, and then—then—she utters a faint scream, and grasps the back of a chair to steady herself.,

"You are an artiste," says Geoffrey, with a deep sigh when she has finished. "Who taught you, child? But there is no use in such a question. Nobody could teach it to you: you must feel it as you sing. And yet you are scarcely to be envied. Your singing has betrayed to me one thing: if ever you suffer any great trouble it will kill you."

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Possessed with this thought,—which drowns all others,—he clasps his hands behind his back and saunters to the window. "Shall he go and meet Mona and learn the truth at once? Better not, perhaps; she is such a clever child that it is as well to let her achieve victory without succor of any sort.",

"'Who excuses himself, accuses himself,'" quotes Geoffrey. "I want no reasons for your rejection. It is enough that I know you do not care for me.",

"She took her to see the lake. Mona, you know, raves about it, when the moon lights it up.,

"But, my darling child, I can't help the fact that George Rodney left me the Hall," says Geoffrey, deprecatingly, reducing the space between them to a mere nothing, and slipping his arm round her waist. "And if I was a beggar on the face of the earth, I could not love you more than I do, nor could you, I hope"—reproachfully—"love me better either."